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PIPETTE

A quiet, fragmentary novel about the chaos roiling beneath life’s surface.

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A woman confronts her personal demons against the backdrop of the Covid-19 pandemic in Chinquee’s novel in flash fiction.

Elle appreciates order. She’s an Air Force vet with an adult son (who is currently serving in the military himself) and lives in Buffalo with her partner, the fitness-obsessed Henry, and their four dogs. She teaches fiction writing at a local college. She jogs. She tries to learn to ski, though she finds it exhausting and terrifying. In therapy, she explores her relationship with her late father and the ways his schizophrenia affected their relationship. She also consults her spirit guide—whom she imagines as a man in a beret—who helps her reconnect with her memories of childhood. Henry’s emerging Trumpism proves a strain on the relationship—one that gets even worse when he loses his job at a car dealership. Henry kicks Elle out of the house they share, and immediately after she moves into a new neighborhood, Covid hits. In this new life of isolation, Elle adjusts her priorities. “The mattress in the guestroom is comfy, and the frame is broken, so the mattress just sits on the floor…Sometimes I fall asleep to the TV. Some nights I get up and go to the master bedroom, which is clean and organized. Most nights I fall asleep in one bed, wake in the night and move to the other.” As the pandemic wears on, she confronts her troubled relationships with the now-dead men in her family—her father, her uncle, her paternal grandfather—as well as her attachment to dogs and her compulsion to stay in shape. But will greater self-understanding require her to relax her grip on the ordered life she’s long struggled to build?

Chinquee’s measured prose breaks over the reader like shallow, slow-moving waves. Here, Elle jogs in the early days of the pandemic: “The park is pretty bare now. I miss the bustle of bikers, children, people on the golf course. There’s a zoo on one portion of the park and I see some cars there. The zoo is closed. I breathe and take my steps. I opt for another loop. My legs feel heavy. My heart feels heavy. My lungs are pretty healthy.” The novel unfolds as a series of flash fiction stories, most less than a page long, each with its own title. The reading experience is not so different than that of an autofiction novel—The Department of Speculation (2014) by Jenny Offill and The End of the Story (1995) by Lydia Davis come to mind. The narrative unfolds slowly through the accumulation of trivial details: the positions of the dogs on the couch, the exercises Henry is doing, the meals Elle makes with her Vitamix. Chinquee’s moves are oblique, and they often take Elle and the reader away from the most engaging material in favor of the mundane. In doing so, however, the novel replicates a bit of what it’s like to repress or avoid or deny one’s personal issues, sprinting (or biking or skiing) ever forward in hopes our problems can be outrun.

A quiet, fragmentary novel about the chaos roiling beneath life’s surface.

Pub Date: Oct. 31, 2022

ISBN: 978-1-73691-690-2

Page Count: 140

Publisher: Ravenna Press

Review Posted Online: Oct. 21, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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