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BAD DREAMS

Riotously inventive horror fantasy, the second novel by the author of the wildly original The Night Mayor (1990). Newman trumps up some superbly clever devices here, and at last creates a heroine we can care about, or almost care about, before she fades into the Dreamscape. The American sisters Anne and Judi Neilson and their half-brother Cameron Neilson III (a famous minimalist composer), children of Nobel Prize playwright Cameron Neilson, live in London, where Anne writes and Judi, a junkie S&M prostitute, hires herself out to be beaten. In the first chapter, Judi is eaten alive while turning a trick, or has the blood and most of her flesh sucked out of her, as well as her mind and memory, by Mr. Skinner, a vampire known as the King of the Cats, or leader of the Kind, who was once a master of the now-vanished Immortal Empire. Very few vampires still walk about, and Mr. Skinner himself has only one rival, Ariadne, a sexy vamp much older, smarter, and more powerful than he. Anne tries to trace Judi's path through the whoreworld to find out just how her sister's corpse had aged into a very old woman's. Judi's prostitute friend Nina leads Anne to the mansion of Amelia Dorf (``It was the kind of quietly well-off residential street where mass murderers live...''—a kind of Karloffian understatement) where an S&M party is in full swing, ruled by the Game Master, Mr. Skinner. We'll say no more, only that Mr. Skinner's vampirism is a boldly invented passionate state that can barely be contained by human form; that the Old Dark House becomes a dream house in which rooms lead into mindrooms into dreamrooms; that at one point Mr. Skinner falls into a feeding frenzy and eats up the whole party, then licks his lizard-long tongue at Anne and begins chasing her through the walls.... When you meet Mr. Skinner, remember that he bears the memories of all his victims, and that when you join him you join all of them as well. Comforting.

Pub Date: Nov. 14, 1991

ISBN: 0-88184-781-X

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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