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THAT DEADMAN DANCE

British settlers and native Aborigines tussle over whales, disease and each other’s rights in mid-19th-century Australia.

The hero of the third novel by the Australian Scott (True Country, 1993, etc.) is Bobby Wabalanginy, a young Aborigine. His intelligence and youthful pliability make him an attractive ally to the increasing numbers of British settlers in the 1830s who are looking to establish whaling ports on Australia's southwest coast. But the alliance is uneasy: Each group suffers from a lack of immunity to the other’s illnesses, and racism is strong, particularly on the British side. Bobby bridges a few gaps by learning English, helping settlers out of scrapes and serving as a sort of right-hand-man to Dr. Cross, one of the colony’s first leaders. Inevitably, though, the detente doesn’t last: Once the kindly Dr. Cross dies, power struggles ensue among a new governor and the Aborigine tribal elders. Grimly enough, Scott's writing is at it best when there’s bloodshed: He crafts deft, exciting scenes about the visceral chaos of whaling, and a set piece in which Bobby witnesses the murder of black slaves shows how readily casual racism shifts into violence. But the book feels ungainly overall, suffering from a scruffy, episodic style that often sets particular plot changes in motion but gives them little dramatic weight. The point of view shifts often, and when the focus is Bobby, the chapters gain an even more distancing mythological sheen, making him more a symbol for the unsteadiness of British-Aborigine relations than a character in his own right. (Some scenes that place Bobby with the young daughter of the settlement's governor set up a provocative flirtation, but little is done with it.) The novel’s closing anti-rhetoric is honorable but familiar. A few powerful scenes, but despite its research a mostly uninspiring trip to what promised to be a more dramatic era.

 

Pub Date: March 1, 2012

ISBN: 978-1-60819-705-7

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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