Visually stunning even without a single illustration, but the dense writing in this exuberantly weird, rambling tale calls...
An amnesiac with powers that amaze even him crosses a hyper-commercial continent in search of his identity and any other answers he can dig up.
Wandering into the churning world of refugees from a post-earthquake America-of-the-future, a small city hidden under Central Park, the hero of debut novelist Saknussemm’s futurist fable agrees to go by the name that the jumpy band of humans and humanoids gives him: Clearfather. Clearfather is no less exceptional than his hosts. He has a substantial sex organ, as well as an ability to stop attacks by chanting doggerel. He’s got writing scarred into his back, and his white-blond hair reaches the floor. Aretha, the current leader of Clearfather’s rescuers, is a black ex-lawyer, ex-linebacker drag queen whose estranged son is poised to become the first gay world heavyweight boxing champion. Good hostess that she is, Aretha arranges a bio-scan for Clearfather to clear up some of the mysteries about the man, and, indeed, possible ties to a fabled 19th-century genius turn up. In the process, the bio-scanner implants gizmos in Clearfather’s brain that will cause problems for him when he slips away from his hosts and hops a Greyhound Scenicruiser headed for Pittsburgh. Clearwater carries with him a talisman, an ivory ball that evokes memories of a past with a kindly aunt and uncle somewhere in the Dakotas, but the road to that aunt and uncle is long, and his every move is watched and recorded by an industrial conglomerate that seems threatened by his existence. His trip will take him to Texas, a place with strong psychic claims, and to Las Vegas, the theme park on steroids that replaced L.A. when that big corner of the continent slumped into the ocean.
Visually stunning even without a single illustration, but the dense writing in this exuberantly weird, rambling tale calls for ready and willing readers.Pub Date: Oct. 18, 2005
ISBN: 0-8129-7416-6
Page Count: 496
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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