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THE SUCKER

A disturbing vision of the financial crisis as seen through the eyes of a madman.

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Vellal’s debut novel tells the story of a troubled man who comes to Wall Street looking for answers.

J Cavanaugh arrives in Manhattan for a job interview with the prestigious Wall Street firm of Drake and Steiner. Despite his lack of experience, he’s hired at once, thanks to the influence of his financier father, Ian Maxwell. J sees his new job as a chance to have a normal life for the first time. He was raised by his disturbed mother, Maxwell’s mistress, and after leaving home, he spent most of his life in a Seattle psychiatric clinic. As a result, he knows almost nothing about how regular people behave, but he thinks he’ll have the chance to prove himself at Drake and Steiner. Unfortunately, his boss, Michael Edwards, hired him only as a favor to his father and has no intention of giving J real work. As the financial crisis unfolds, the firm suffers huge losses and lays off many of its employees. Meanwhile, J begins to struggle with his delusion that the Jews, who his mother said were responsible for the death of Christ, are behind the economic crisis and spitefully throwing families out of their homes. He eventually believes that he’s destined to become a new Christ, equal to the original, and as he grows more dissatisfied with his job, he begins to wonder if he’ll have to destroy the “creatures” behind the economic disaster. Soon, he becomes obsessed with the idea that executives at Drake and Steiner and other Wall Street firms are literal vampires, out to destroy humanity. Vellal’s portrayal of a man sliding deeper and deeper into insanity is disturbingly vivid. He uses memorable flashbacks to gradually build a picture of J's distorted home life and the baleful influence of his fanatical, mentally ill mother. Although the prose can be awkward in spots, it will likely draw many readers into J’s fun-house world with its unnerving clarity.

A disturbing vision of the financial crisis as seen through the eyes of a madman.

Pub Date: Dec. 23, 2012

ISBN: N/A

Page Count: 182

Publisher: Amazon Digital Services

Review Posted Online: March 19, 2013

Kirkus Reviews Issue: April 15, 2013

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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