by Kunal Basu ‧ RELEASE DATE: Oct. 1, 2011
This richly painted literary novel brings a Portuguese doctor to 19th-century China to find a cure for syphilis.
In 1898, Doctor Antonio Maria is one of Portugal’s best doctors, but when his widowed father becomes desperately ill with syphilis Doctor Maria will do anything, go anywhere to find a cure to save his father’s life. With reason to believe the Chinese have a cure, he leaves his fiancée behind and sails to China, devoting himself to learning medical secrets from a man named Xu. The trouble is that Doctor Maria must live in China for four seasons and learn the ways of qi before Xu will teach him what he wants to know. In the meantime he falls in love with Fumi, a mysterious woman with close ties to the Empress Dowager. Will he find the cure in time to return home and save his father? Or find it and return to Portugal before the West-hating Boxers kill him and all the other foreigners? Does Xu even know the cure, or is he simply stringing Doctor Maria along for his own purposes? Can he meet the Empress and enlist her help? People are not who they seem as Doctor Maria immerses himself deeply in a strange and complex culture. Readers will get vicarious pleasure as he learns an array of sexual positions from Fumi. Occasional passages are briefly confusing as the narrative dips in and out of nightmares, but ultimately they help the story. For a man with an urgent mission, Doctor Maria seems incredibly patient, even distracted, as he navigates the ways of a world in which he is often the unwelcome outsider. Many people suffer losses in this novel, a deeply satisfying tale mixing history, cultural clashes, violence and love. Fortunately, it’s the readers who win.
Pub Date: Oct. 1, 2011
ISBN: 978-1-59020-708-6
Page Count: 320
Publisher: Overlook
Review Posted Online: Sept. 1, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Kunal Basu
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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