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THE PEN/O. HENRY PRIZE STORIES 2012

Overall a strong and welcome collection, though readers on a limited anthology budget will find the annual edition of the...

Latest edition of the annual short-fiction prize volume, of more consistently high quality than several other volumes of recent vintage. 

The good news: The era of aping Ray Carver, 25 years on, seems to be over. There’s more good news: To judge by Furman’s choices, no one has figured out how to imitate David Foster Wallace, and the cutesy po-mo stuff seems to be ebbing, too. Still and all, we’re reminded of a question asked by an earnest poet not long ago: Does the American public care about anything less than poetry? Yes, and that’s the short story, the province of a tiny number of highbrow magazines and an ever-growing number of writers’ workshops, hardly read outside of those rarified circles. There’s more good news: several of Furman’s choices could turn the tide, given wider circulation. Wendell Berry’s “Nothing Living Lives Alone,” with its encouraging, manifesto-like title, is alone worth the price of admission; originally published in The Threepenny Review, it’s long and leisurely, like a winding country lane in the southern backwoods of which Berry is our greatest bard (“The town of Hargrave, charmed by its highway and motor connections to everywhere else, thought itself somewhat worldly”). The collection’s single most impressive tour de force falls just a few paragraphs shy of being a novella, that form beloved of Jim Harrison and a few other contemporary writers, and it comes from an outside-turned-insider, Beijing-born Yiyun Li, whose “Kindness” turns on a “forty-one-year-old woman living by myself, in the same one-bedroom flat where I have always lived, in a derelict building on the outskirts of Beijing that is threatened to be demolished by government-backed real estate developers.” The whole history of late 20th-century China lies in miniature in her closely written pages. Other standouts are Dagoberto Gilb’s opener, “Uncle Rock,” in which a young boy tries to comprehend the world and its summum bonum, namely baseball, and Miroslav Penkov’s Balkans morality tale “East of the West.” 

Overall a strong and welcome collection, though readers on a limited anthology budget will find the annual edition of the Pushcart Prize to offer more bang for the buck.

Pub Date: April 17, 2012

ISBN: 978-0-307-94788-8

Page Count: 496

Publisher: Anchor

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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