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THE THIN PINK LINE

Wonderfully funny debut with a fine sense of the absurd and a flair for comic characterization.

Faking it—hilariously.

Growing up in her perfect sister’s shadow left Jane Taylor with a chronic case of underachiever’s paranoia. She’s only an assistant editor, deluged with the unwanted and unsolicited manuscripts addressed to her superiors at a London publishing company. And she’s only living with a self-centered stockbroker, not engaged to him. When, oh when, will anyone ever pay attention to her? Getting her period a week late is the inspiration for a brilliant but bizarre way to get noticed: pretend she’s pregnant, which she does. All those who ignored her for so many years are suddenly falling all over themselves to open doors, bring her a cuppa, listen to her whining about minor aches and pains—oh, it’s heaven. Her gay confidant and upstairs neighbor David, a veteran of the Israeli Army, points out gently that there will be hell to pay in about nine months, but Jane doesn’t care. This is better than love, an emotion she has never actually experienced, even though she tells herself that that could happen any day now (“Birds do it. Bees do it. Even Israelis with hairy knees do it”). Didn’t Trevor, the putative father of her fictitious fetus, say he’d do the right thing? That must mean he’s going to pop the question, not just change the catbox (see entry under Toxoplasmosis in What To Expect When You’re Expecting, her new bible). Yes, he’ll marry her, Trevor says impatiently—after the baby is born, if it doesn’t have two heads. His hasty departure with a bulging suitcase forces Jane to turn to sympathetic friends and family, who have no idea they’re being duped. A pregnancy pad swiped from a Harrods’s dressing room helps her continue to fool them all. But Jane has to make the “little one” disappear when she finally meets the man of her dreams. He won’t want to raise an imaginary child—will he?

Wonderfully funny debut with a fine sense of the absurd and a flair for comic characterization.

Pub Date: July 1, 2003

ISBN: 0-373-25030-4

Page Count: 304

Publisher: Red Dress Ink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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