by Lauren McLaughlin ; illustrated by Meilo So ‧ RELEASE DATE: April 25, 2017
Though open adoptions have become more common, they are still not the majority; this is more a single family’s adoption...
A birth mother searches for the right parents for her unborn child in this story narrated by the adoptive mother.
“She looked north. She looked south. She traveled the world, / asking, ‘Who’ll be the parents of this beautiful girl? / I will sail by the moon and the stars till I find / a home for my girl that is loving and kind, / with a soft, cushioned bed and a teddy named Boo. // Nothing less than the best for Wonderful You.’ ” In a house by the sea, a loving couple awaits, but the birth mother must make sure they are just right. (The artwork here is slightly disturbing: the adoptive mother stretches out her arms toward the birth mother, who is riding on a crescent moon and hugging her pregnant belly; her expression looks shocked, almost as if her babe is being taken away.) After entrusting the baby to the adoptive parents, the birth mother rides a bird back home, and the tale turns to the new family and all that the future holds. The verses border on saccharine, and the rhyme scheme governs both word choice and syntax, making the text a challenge to read aloud. The artwork matches the flights of fancy with watercolor swirls and blotches, but the faces (all pale-skinned) are off-putting, not sweet or loving.
Though open adoptions have become more common, they are still not the majority; this is more a single family’s adoption story than one that speaks to all adopted children. (Picture book. 4-7)Pub Date: April 25, 2017
ISBN: 978-0-553-51001-0
Page Count: 40
Publisher: Random House
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
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by Lauren McLaughlin ; illustrated by Debbie Ohi
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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