Cover art for THE DEVIL WEARS PRADA

THE DEVIL WEARS PRADA

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

A junior assistantship to the editor of the world’s top fashion magazine (“The job a million girls would die for”) provides endless fodder for a one-note but on-the-money kiss-and-tell debut.

Andy, or, as her boss from hell calls her: “Ahn-dre-ah,” harbors dreams of writing for The New Yorker, but her luck runs out—or runs high, depending on your priorities—when her first job interview lands her at Runway magazine, beholden to Miranda Priestly, “solely responsible for anticipating her needs and accommodating them.” Intelligent, sarcastic and without a smidgen of interest in fashion, Andrea quickly learns the Runway culture, from the necessity of being tall, emaciated, slavish, and half-naked in winter to the perks of town cars, shopping bags filled with designer duds, and the promise of any job after one year of servitude. A few weeks of dealing with the insensitive, sadistic and imperious Miranda leave our heroine on the verge of abdicating, but before long she’s joining her colleagues in “the classic Runway Paranoid Turnaround . . . scrambling to negate whatever blasphemy is uttered” about the divine Miranda.” Outside of work, Andrea has a perfectly nice socially conscious boyfriend from her college days at Brown, a best-friend-slash-roommate with a drinking problem who’s getting her doctorate at Columbia, a loving family in Connecticut, and no time for any of them as she races to retrieve Miranda’s French bulldog puppy from the vet, hire a nanny for her children, make 12 trips in stiletto heels to Starbucks for her coffee in between sorting her dirty dry cleaning. It’s only a 14-hour day! Ultimately, of course, everything explodes, and in the end, of course, righteousness prevails.

Weisberger writes with humor and authority, but her plot circles like a whirlpool—and by the time Andrea’s ready to face some hard choices, it’s difficult to care. Her exhaustion is contagious. (N.B: Weisberger, this season’s buzz of the town, was an assistant to Vogue editrix Anna Wintour—read: Miranda Priestly—giving this putative roman-à-clef an added splash of juice.)

Pub Date: April 22nd, 2003
ISBN: 0-385-50926-X
Page count: 320pp
Publisher: Doubleday
Review Posted Online:
Kirkus Reviews Issue: Feb. 15th, 2003



MORE BY LAUREN WEISBERGER

Fiction Cover art for LAST NIGHT AT CHATEAU MARMONT
by Lauren Weisberger
Fiction Cover art for CHASING HARRY WINSTON
by Lauren Weisberger
Fiction Cover art for EVERYONE WORTH KNOWING
by Lauren Weisberger


SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Indie Cover art for GIVING GOOD HOLLYWOOD
by Chris Culler
Nonfiction Cover art for IT'S ALL ABOUT THE DRESS
by Vicky Tiel
Indie Cover art for LIFE WITHOUT IT
by Sara Marzougui
Indie Cover art for FAMILY PIECES
by Misa Rush


FICTION TITLES SET IN THE WORKPLACE:

Fiction Cover art for THEN WE CAME TO THE END
by Joshua Ferris
Fiction Cover art for A VISIT FROM THE GOON SQUAD
by Jennifer Egan
Fiction Cover art for WHERE'D YOU GO, BERNADETTE
by Maria Semple
Fiction Cover art for I'VE GOT YOUR NUMBER
by Sophie Kinsella
View full list >