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THE ORCHID AFFAIR

Willig's sparkling series continues to elevate the Regency romance genre.

Espionage and romance continue to be great fun in another solid installment of the Pink Carnation series.

In her eighth series adventure, Willig (The Mischief of the Mistletoe, 2010, etc) takes a cue from Jane Eyre, presenting an orphaned governess as her latest heroine and, of course, spy. Miss Laura Grey has learned to hide her voluptuous beauty under a stern schoolmistress's guise. But when an opportunity to break out of her rut appears, she grabs it, landing an assignment that uses her real history as a governess to strike a blow for England in the ongoing Napoleonic wars. Assuming the French identity of her father and placed in charge of the children of the widowed revolutionary André Jaouen, Laura—now Laure Griscogne—discovers the Paris of her childhood has become a grim and fearful place. When an old family acquaintance nearly blows her cover, however, she begins to see a different side of her employer—and he of her. Although he apparently works at the Prefecture of Paris hunting enemies of the state, Jaouen has grown dismayed by the Reign of Terror, and the two may actually be on the same side. On the run, they learn to trust each other in order to not only survive but to protect his innocent children. The action builds up to an utterly predictable but enjoyable climax. Thanks to Willig's customary wit and sure hand with historical details, 19th-century France comes alive yet again in this volume. Laura is a solid heroine, headstrong and mature enough to be believable. And if the charged romance between the two is a little clichéd, readers of the series will hardly care. Only the series' contemporary framing device, featuring a Harvard researcher and her boyfriend, seems a little strained, but it takes up little space in this otherwise fast-paced and fun frolic.

Willig's sparkling series continues to elevate the Regency romance genre.

Pub Date: Jan. 20, 2011

ISBN: 978-0-525-95199-5

Page Count: 416

Publisher: Dutton

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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