A staff writer for the New Yorker presents a whimsical and often profound tour of a truly curious museum and its highly ironic curator. A couple of years ago, Weschler (A Miracle, A Universe, 1990, etc.) wandered into the Museum of Jurassic Technology, an unremarkable Los Angeles storefront that is the pet project of David Wilson, a most unusual curator. Here Weschler learned, among other wonders, of the Cameroonian stink ant, the Sonnabend Model of Obliscence, and the small hairy horn that grew on the head of Mary Davis of Saughall, deceased 1688. Intrigued, as might be expected, by this supremely odd collection, Weschler returned often to the MJT and began to explore the purpose and the implications of Wilson's strange exhibits, with the curator's somewhat reluctant and always elliptical help. Weschler discovered a modern Wunderkammern, or cabinet of wonders; a collection of natural and technological marvels similar to those that became popular in Renaissance Europe, as merchants and explorers brought home almost unbelievable souvenirs from the uncharted corners of the earth. But these are wonders presented with an ironic twist. The MJT ``infects its visitors with doubts,'' provoking two kinds of wonder: Viewers wonder first at the exhibits and second whether they could possibly be real. And that ``capacity for such delicious confusion,'' Wilson seems to say, ``may constitute the most blessedly wonderful thing about being human.'' With all this in mind, Weschler can't help investigating the museum's more spectacular properties and, to his own increasing wonder, finds that although some facts have been rearranged, the basic information is often historically true. Gradually, and delightfully, Weschler's narrative takes on some of the ironic shading it describes, until the reader experiences that same ``slight slippage'' Weschler felt upon first entering the MJT. A small jewel of a book, as intricate and astonishing as the wonders it describes. (b&w drawings, not seen)
Pub Date: Oct. 23, 1995
ISBN: 0-679-43998-6
Page Count: 176
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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