A quiet tale of love and belonging, set on the coast of Maine in 1806. Eleven-year-old Abbie and her little brother Seth are effectively orphaned when their mother dies of smallpox and their mariner father is off at sea, incommunicado for the past six months. Determined to keep what’s left of her family together, Abbie offers her services to the young Mrs. Chase, herself soon widowed. As the seasons change from late winter through the year to winter again, Abbie, Seth, and Widow Chase find that they have molded themselves into a new family, to be completed by the birth of the widow’s baby in the winter. Newcomer Wait offers a quietly lyrical text that deftly and painlessly weaves into Abbie’s deeply personal story observations about the social and cultural structure of this small, seafaring town: “Captain Chase and his wife had three fireplaces. One in the kitchen, to be sure, but here was another, unused for now and that I could see was for company, and Mrs. Chase had talked of still another, upstairs. . . . It was hard to think of such luxury.” Abbie and Seth emerge as fully fledged characters, Abbie a thoughtful girl with few illusions about the world, and Seth a boy pining for his father and determined to follow in his footsteps. The Widow Chase is less well-realized; her determination to stay in her husband’s house rather than return to her family goes largely unexplained, and therefore her willingness to take up a trade (millinery) to maintain her independence in defiance of social mores is not sufficiently grounded. This is a small quibble with a novel otherwise finely crafted, with a very nearly perfect sense of its setting in place and time. (historical note) (Fiction. 8-12)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83832-8
Page Count: 160
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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