by Leonard Michaels ‧ RELEASE DATE: July 7, 2009
Contains weaknesses, but largely enjoyable and intellectually stimulating.
A collection of articles by celebrated author Michaels (The Collected Stories of Leonard Michaels, 2007, etc.).
Divided into two distinct halves, the volume serves as an assemblage of the author’s nonfiction work, much of which was published late in his life. “Critical Essays” includes several free-flowing, loosely constructed entries on a variety of big, important topics like love, death, art and literature. Despite their seemingly heroic ambitions, most of these pieces are brief and playful in their approach—this unassuming manner makes for entertaining reading. In “Some Examples of Murder,” Michaels selects great moments from the Bible, Nabokov, Bellow and Kafka and props them up next to each other in an effort to unearth connections and underlying truths. The second section, “Autobiographical Essays,” is less successful, mainly because it reflects a more conventional form and style. While many of these nostalgic stories of youth and adulthood are well-written, few are revelatory. At a mere five pages, “The Abandoned House” stirringly captures the inherent fear and recklessness of prolonged adolescence, while “Kishkas” provides a droll assessment ozf the film adaptation of The Men’s Club. The best essay is “The Zipper,” which centers on Rita Hayworth’s role in Gilda and the emotional reaction it caused in the teenaged Michaels. The story successfully synergizes the book’s two halves, ably combining the critical eye of the first section with the self-reflection of the second.
Contains weaknesses, but largely enjoyable and intellectually stimulating.Pub Date: July 7, 2009
ISBN: 978-0-374-14880-5
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
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BOOK REVIEW
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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