The humor is both dark and madcap, including footnote asides and commercial scripts that keep the laughs coming.
This inventive satire mocks celebrity culture while celebrating the resilience of teen girls.
Printz Award–winning author Bray (Going Bovine, 2009) plunges into cultural criticism with her latest teen novel. The plane carrying the 50 Miss Teen Dream Pageant contestants crashes on a remote desert island, and the survivors must channel the skills that made them successful on runways to keep themselves alive until they can be rescued. (“From Ladybird Hope’s I’m Perfect and You Can Be Too, Chapter Three: ‘A lady’s quick thinking can save a bad situation.’ She was talking about putting nail polish on a runner in your hose, but I think the same rule applies here.”) Unfortunately, their sponsor decides there is better press in avenging their deaths than in mounting a rescue and sets that scenario in motion. An encounter with the stars of a pirate-themed reality-TV show highlights their vulnerability. By now, though, genuine survival skills have been honed, and the teens foil the dastardly plot. While the foibles of today’s media/celebrity/political culture are the clear target of this stinging satire, the teen cast is funny and endearing in its own right. As the story unfolds, each girl’s back story and actions under duress reveal a unique character.
The humor is both dark and madcap, including footnote asides and commercial scripts that keep the laughs coming. (Fiction. 14 & up)Pub Date: May 24, 2011
ISBN: 978-0-439-89597-2
Page Count: 400
Publisher: Scholastic
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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