The moment is a little miracle—nearly impossible to believe, but entirely convincing and true.
Sometimes the tiniest actions are the most heroic. In this book—based on a true story—the heroes are children.
Illustrator Gustavson is very good at painting eyes. Even when the characters have their eyelids closed, it’s easy to read their expressions. Mostly they look nervous. Hannah is nervous because she might have to miss her class picnic. Her family won’t drive on the Jewish Sabbath; she’s the only Orthodox girl in a school in rural Minnesota. In every picture, Hannah looks nervous in a slightly different way: shy when she’s a new student, timid and regretful when she tells her father about the picnic. “Just because there are no other Jews…” he says, “doesn’t mean we forget the ways of our people.” Hannah thinks: “I don’t want to follow the ways of my people… I just want to go on my class picnic.” On the second-to-last page, she has to speak up in front of the entire class. Her eyes are pointed at her desk. “I—I can go if someone will walk with me,” she whispers. And in one brief, moving sentence, all the students raise their hands to volunteer. In this picture, their eyes are barely visible—they’re tiny scribbles of paint—but they seem to be filled with joy.
The moment is a little miracle—nearly impossible to believe, but entirely convincing and true. (Picture book. 5-9)Pub Date: March 1, 2012
ISBN: 978-0-7613-5138-2
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Fun, in an odd sort of way.
The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.
The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”
Fun, in an odd sort of way. (Picture book. 5-8)Pub Date: Aug. 26, 2014
ISBN: 978-0-439-91530-4
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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