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OUR SPOT

A warm and tender tribute to the traditions that help us hold our loved ones close.

A child lovingly honors the memory of a late parent.

Each week, Papa and the young protagonist take a walk to a special spot where Mama, “the best fisherman around,” would catch “fish after fish.” Now that it’s just the two of them, they quietly immerse themselves in memories of Mama, breathing in the smell of the lake and listening to the “sound of the water slappin’ back and forth, back and forth.” They bait their hooks, each motion a tribute to Mama, and as they wait for fish, Papa repeats an oft-told story about how Mama once landed a huge fish. They return home with a bucket of fish, still looking, still listening, carrying sounds into sleep, where the protagonist dreams sweetly of Mama and the fish. Scenes of Papa, Mama, and the child depict a family filled with love—literally connected to one another through touch. In the present, as Papa and the child experience the world without Mama, her memory remains. The world is bathed in warm pink light, reminiscent of the jacket Mama wore, and the flowers, trees, and water have a comforting, otherworldly feel. The atmosphere seems to swirl and move, alive with her memory. Both heart-filling and heartbreaking, this book is a reminder that tradition and love keep memory alive. Mama is light-skinned and blond; Papa and the child are dark-haired and slightly darker in skin tone.

A warm and tender tribute to the traditions that help us hold our loved ones close. (Picture book. 4-8.)

Pub Date: April 30, 2024

ISBN: 9781542039857

Page Count: 32

Publisher: Two Lions

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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