Norwegian author and critic Ullmann debuts with this intriguing, looping meditation on the history of the Blom family, told by young Karin in jagged, emotionally oblique prose. The Blom family comprises a slightly skewed group is recalled primarily through the lives of three generations of its women. The story begins with the wedding of Karin’s sister, Julie, to Aleksander in 1990, a ceremony 20-year-old Karin can—t take seriously, given her family’s luck with marriage. Karin confides her beliefs about the crucial utility of lying, and the entertainments of eagerly pursuing men, then abruptly rejecting them—a sensibility that is somehow strangely engaging. These curious attributes are the fruition of family tendencies, beginning with Rikard Blom, Karin’s grandfather, who immigrated to America in 1931, found immediate success as a costume maker, and fell in love with Selma, though he finally married her sister, June. Rikard dies as WWII ends, and June takes her daughters, Anni and Else, back to Norway. Anni grows up to be a stunning beauty, but her husband—a kind, distant, amused observer—leaves their family behind, after which Anni (whom daughter Karin considers entrancing and mad) continues with a series of male hobbies who occupy her love life. Meanwhile, Julie, Anni’s more introverted daughter, becomes pregnant and gives birth about the time her husband’s infidelities are revealed. Julie and Aleksander leave for an Italian vacation intended to heal their ruptured marriage, and Karin cares for their boy, Sander. In the Blom family, Karin realizes, emotional truths and external realities have never matched up, and she’s comforted to find that Sander represents one of the few moments in which “everything is the way it’s supposed to be.” Density accrues in vivid, impressionistically recalled scenes, rather than in sophisticated plot devices, and the emotional acuity is highly original, and often absorbing. (Author tour)
Pub Date: Oct. 1, 1999
ISBN: 0-670-88698-X
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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