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CHINA DOLLS

Still, a welcome spotlight on an overlooked segment of showbiz history.

See’s latest follows three Asian-American showgirls whose dreams are derailed then reset by the onset of World War II.

In the late 1930s, Grace, a talented dancer, comes to San Francisco from Ohio to flee the beatings of her father. Helen, who fled China under circumstances not immediately revealed, lives with her parents and extended family in a Chinatown compound. Ruby defies her parents, who plan to return to Japan, by staying in San Francisco to pursue a showbiz career. The three young women meet while auditioning for jobs in a new “Oriental” nightclub, Charlie Low’s Forbidden City, which will feature an all-Asian cast of chorines, ballroom dancers, chanteuses and crooners. Grace and Helen are cast, but Ruby is not—because of Japanese aggression in China, Chinatown is hostile toward all Japanese. She finds a job dancing semi-nude in Sally Rand’s traveling show. Ruby and Grace fall out over a man, Joe, a lo fan (“white ghost,” or Caucasian), and Grace and Helen strive to break into movie musicals. However, racial barriers in Hollywood are insurmountable, and they return to Forbidden City. There, Ruby, now headlining as Chinese Princess Tai, performs a Rand-inspired bubble dance, employing a large beach ball as her gimmick. Grace becomes Ruby’s dresser, and Helen dances backward in high heels as the partner of Eddie, billed as the Chinese Fred Astaire, whom she marries. After Pearl Harbor, the U.S. government, fearing an enemy invasion, interns all Japanese residents of the West Coast, whether U.S. citizens or not, in camps. Ruby’s Chinese disguise works for a while, until it doesn’t, and she's arrested and interned in Utah. For Grace, Ruby and Helen, the war will bring more upheavals—and opportunities. The episodic and creaky plot staggers under the weight of See’s considerable research into the careers and lifestyles of the actual stars of the all-Asian revue craze of the 1930s and '40s.

Still, a welcome spotlight on an overlooked segment of showbiz history.

Pub Date: June 3, 2014

ISBN: 978-0-8129-9289-2

Page Count: 400

Publisher: Random House

Review Posted Online: April 1, 2014

Kirkus Reviews Issue: April 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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