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WE ARE A GARDEN

A STORY OF HOW DIVERSITY TOOK ROOT IN AMERICA

Enlightening, visually gorgeous, and emotionally moving.

From the first humans in North America to the immigrants and refugees of today, the story of America’s diversity is the story of migration.

Poetic text and stunning watercolors outline the history of how peoples from all over the globe arrived in what is now the United States of America. Peters likens migrants to seeds that are carried on the wind, taking root in the new soil, creating a “garden of Americans who turn to face the wind.” The book begins with spreads featuring different groups of arrivals, chosen for their numbers, contributions, or impact. Native Americans, English settlers, enslaved Africans, Chinese railroad workers, and migrant field workers are among those featured, and each is accompanied by a few sentences that do not explicitly mention country names but cut to the core of their significance with pointed honesty. “The brutal leader” of a group of “colonists” depicted as conquistadors, for instance, is recorded as having “slaughtered the tribe that was living” where they settled. After the Statue of Liberty’s famous welcoming poem appears in its entirety, more modern immigration is represented. These pages feature individuals here and now: a mother who works long cleaning shifts, a 13-year-old refugee who wears a head scarf, a boy who loves soccer. And finally, a city block exuberantly depicting residents of many skin tones under a celebratory sky of fireworks. The beautiful text celebrates America’s difficult immigrant history with honesty and respect while simultaneously maintaining a feeling of pride and optimism in its present and future. Extremely informative notes round out this outstanding book. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at 53.1% of actual size.)

Enlightening, visually gorgeous, and emotionally moving. (glossary, note, sources) (Informational picture book. 6-10)

Pub Date: April 6, 2021

ISBN: 978-0-593-12313-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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WHAT'S THE BIG DEAL ABOUT FREEDOM

A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...

Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.

The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.

A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)

Pub Date: May 2, 2017

ISBN: 978-0-399-54728-7

Page Count: 32

Publisher: Philomel

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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NATIONAL MONUMENTS OF THE USA

From the National Parks of the USA series , Vol. 4

A glorious monument to the national monuments.

The national monuments get their due.

Walker briefly recounts the history of the monuments (thank you, Teddy Roosevelt). Instead of the usual glossy photos, the text is paired with copious subtle watercolors, harmoniously arrayed with text on generous double-page spreads. Sparkling descriptions invite reader participation: “Imagine it’s 1892, and you’re arriving” in New York Harbor. “What will you see in the [pipestone] rocks?” Many monuments are in sites of superb natural beauty, but unlike the national parks, they must have historical, prehistorical, cultural, and/or scientific interest. Readers will find information on dinosaur fossils, geology, flora and fauna, and places important to Indigenous people, significant in history (Charles Young Buffalo Soldiers National Monument, Stonewall National Monument, the Belmont-Paul Women’s Equality National Monument), and/or connected to American leaders like Cesar Chavez. Fascinating facts are interspersed (the Washington Monument is held together through friction and gravity rather than mortar; the Pullman workers’ 1894 strike helped establish Labor Day). Regional maps throughout indicate the locations of the various monuments, divided by area: East, Central, Southwest, Mountain West, West, Alaska, and Tropics. A calm, subdued palette and geometric-based forms that use washes rather than line allow for a maximum of information without fussiness and, with help from typography, evoke classic WPA posters.

A glorious monument to the national monuments. (index) (Nonfiction. 6-10)

Pub Date: June 13, 2023

ISBN: 9780711265493

Page Count: 112

Publisher: Wide Eyed Editions

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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