The struggles of the proudly eccentric family of a once-famous poet who's committed suicide lie at the heart of this kaleidoscopic comedy, which dazzlingly illuminates the exact moment when the '60s disintegrated into terminal narcissism and gave birth to today's entropic culture. Jones (Particles and Luck, 1993, etc.) spins out an audacious plot focusing on a pivotal four days in 1973 when the children of James Farmican, a beatnik who blew his brains out three years earlier, are finally compelled to give up their father's decaying labyrinth of a Victorian mansion. ``California's over,'' says their beautiful self-absorbed mother, Julia, now married to psychiatrist Faro Ness, whose oozing '60s sensitivity can't hide the fact that he has seized almost all of the family's assets. Two children, Peter and Wendy, are casualties of too much Peter Pan whimsy; their long-lost brother Ed, given up for adoption to a ``normal'' family, has arrived to claim his inheritance. Observing all this is Steve, the callow 17-year-old who had been hired to clean out the house. Falling (naturally) under their spell, the interloper has already managed to impregnate Wendy; he follows her and her siblings to Nevada, where Ed wants to resurrect his father's shuttered Cornucopia Casino. Writing 20 years later, Steve describes how Peter gambled himself into debt to gangsters, and how Wendy let a Christian cardsharp convince her that she could pay off her brother's debt (and save her unborn child) by serving clients in the Ecstacy Ranch brothel. The novel circles around to Steve's account of meeting Wendy again after 20 years, the two reuniting not because she loves him, but because she needs him to pose as her husband in order to contest Faro Ness's control over the now sizable estate. Jones performs an act of alchemy here, burnishing the bitter and petty betrayals of an era with a lyrical anguish that makes Steve's aching regret feel universal. (First printing of 25,000; author tour)
Pub Date: Sept. 15, 1997
ISBN: 0-679-42334-6
Page Count: 336
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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