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WHAT MATTERS MOST

Rice, usually good at bringing to life the Irish landscape, this time falls flat.

An emotionally exhaustive revisit with the two Irish-American families from Sandcastles (2006).

This time around, Rice turns her attention to Sister Bernadette (Bernie) Sullivan and Thomas (Tom) Kelly. Long before Sister Bernie took her vows, she and Tom were young lovers (see Sandcastles for backstory). While on a romantic holiday to Ireland connecting with their roots, Bernie and Tom shared a single night of passion. Bernie became pregnant. Tom wanted to keep the baby, but Bernie struggled between her calling to the church and her love for Tom. Ultimately, the baby was given up for adoption. Now, 20-odd years later, Tom and Bernie decide to fly to Dublin to track down their son, Seamus, and introduce themselves as his parents. At the reunion, Seamus wants nothing to do with the family that abandoned him and left him in a crowded orphanage. To make matters more complicated, the disastrous meeting stirs up old passions between Tom and Bernie. Their romantic détente ends and their friendship is irrevocably altered. Tom makes a final effort to win over Seamus before flying back to America. Grudgingly, Seamus accepts Tom’s help when Tom offers to use his influence to reunite Seamus with his lost love from the orphanage. With Tom’s help, Seamus tracks down his love in America. At this point, the plot spins wildly out of control as the author tosses in one melodramatic, outlandish event after another. Though a few new characters are sprinkled in, it’s impossible to care about them.

Rice, usually good at bringing to life the Irish landscape, this time falls flat.

Pub Date: July 17, 2007

ISBN: 978-0-553-80533-8

Page Count: 352

Publisher: Bantam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2007

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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