Appealing—if not groundbreaking—reassurance for children of divorce.
A child reflects on the houses of his separated parents in this dos-à-dos book.
In The Mirror in Mommy’s House, a bespectacled, redheaded white child recalls living with his parents in one house. Holding a pet rabbit close, he remembers gazing into a mirror as his parents quarreled, letting his imagination roam free. Now he has two special, happy houses. The book is a visual delight—Zacarias’ seamless blend of cut-paper collage and pastels adds depth and texture to the story. Yellows and reds bathe Mommy’s house in a warm glow, and love radiates off the page. Vaguely halting text and overly prolific ellipses (“Back then, in that single house, Daddy and Mommy used to argue a lot. And it made me sad…”) are slightly distracting; this is a Spanish import. In The Mirror in Daddy’s House, some may be disappointed to read the same story, more or less. Others may enjoy flipping from side to side to identify differences and similarities in the text and illustrations. (They may also wonder at a continuity flaw in the child’s clothing, noticeable at the center of the book.) Although Daddy’s gray-blues clearly distinguish it from Mommy’s orangey-yellows, they also imbue Daddy’s side with inadvertent sadness. Ultimately, the message that both parents love and share him, while not new, is still worthwhile. The book is also available in Spanish: El Espejo En La Casa de Mamá / El Espejo En La Casa de Papá.
Appealing—if not groundbreaking—reassurance for children of divorce. (Picture book. 4-8)Pub Date: April 10, 2017
ISBN: 978-84-945415-5-1
Page Count: 44
Publisher: NubeOcho
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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