by Luis Amavisca ; illustrated by Guridi ‧ RELEASE DATE: Oct. 10, 2017
Empowering in its simplicity.
A barbed-wire fence separates two communities—one ocher and one blue, each needing something the other has in abundance.
The blue folk have a well on their side with much water. The ocher folk have an oven with plenty of bread. But when the ocher side runs out of water, the blue side will not share. The water is on their land; it belongs to them. This compels the same response when the blue side runs out of bread. Luckily, the younger generation thinks this is ridiculous. They happily share through the fence and wonder, “Why are our parents like this?” When green strangers arrive, a new portion of fence is erected to divide the land further. The green folk have nothing to offer, and the bread and water are kept guarded by adults. But still, the children share. Optimistic readers will hope the fence will be torn down in the end, but it stands strong—showing how much work society still has to do. Wobbly, unrestricted lines create these elongated, scribbled characters. Even the barbed wire seems springy and looped, not menacing, though the important message is not lost in frivolity. Kids can bring about change, regardless of previous generations’ ideas. This Spanish import was published in Europe in collaboration with Amnesty International, and a portion of its sales will go toward protecting human rights worldwide.
Empowering in its simplicity. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-84-945971-3-8
Page Count: 40
Publisher: NubeOcho
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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