by Luisa Weiss ‧ RELEASE DATE: Sept. 17, 2012
Half-baked and unappetizing.
In her debut, The Wednesday Chef blogger recounts her life in and out of the kitchen.
Weiss grew up shuttling between Berlin, where her Italian mother lived, and Brookline, Mass., home of her American father. As an adult, she moved from Paris to New York, where she began a food blog, until finally returning to Berlin to marry. Unfortunately, this coming-of-age memoir (with recipes) is fretful and flabby, and much of the prose violates the show-don’t-tell rule of writing. In one section, she describes how a pigeon almost collides with her head, interpreting the event as a sign from the universe that she should break up with her fiancé. In the hands of a more experienced writer, this could have been a gripping, even moving, discovery, but Weiss’ retelling of the event is unfocused and rambling—more fit for a stream-of-consciousness blog than a full-length book. Each overinflated chapter closes with a recipe from the author’s blog or from her personal life. A few of the recipes (e.g., spaghetti with breadcrumbs, capers and parsley) are so rudimentary, anyone who knows their way around a kitchen may wonder why they were included at all. But many more are ludicrously complicated, such as poppy-seed breakfast rolls that take more than three hours to make and “don’t keep well, so make sure to eat them warm the morning they’re made.” Still others require ingredients most Americans will be unable to find—e.g., one recipe calls for “20 to 25 elderflower sprays.” Weiss’ suggestion is to “look for them in the wild.” Much of the often-clunky writing leads to queasy descriptions of food, like a white asparagus salad “slurped up…lustily” and an “unctuous, quivering ragù.”
Half-baked and unappetizing.Pub Date: Sept. 17, 2012
ISBN: 978-0-670-02538-1
Page Count: 320
Publisher: Viking
Review Posted Online: June 25, 2012
Kirkus Reviews Issue: July 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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