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PIE TOWN

Heartfelt, Christian goodwill triumphs in this utterly predictable story.

Hinton’s ninth novel is a feel-good tale in which an inexperienced priest, a wayward young woman and a terminally ill boy save the soul of a small town.

All you need to know about Pie Town, N.M., is that you can’t find any pie there. It’s that kind of place, insular, wary and a little ornery, and nobody’s going to tell the only restaurant in town they have to serve pie. The only thing that brings the place together is Alex Begay, the sheriff’s grandson, born with spina bifida, abandoned by his mother Angel and wise beyond his years. Into town come Father George, fresh from the seminary to his first parish, and Trina (she hitched a ride into Pie Town with Father George), a young woman with a hard past and a heart of gold. Alex takes a shine to her, Sheriff Begay rents her a room above his garage and she finds some waitressing work at the diner. As Alex’s condition worsens, he seems more concerned with the town than with his own survival (the spirit of his great-grandmother is always near him, guiding him). When the church burns to the ground, all fingers point toward an obviously pregnant Trina, and even though Father George knows the truth, his own crisis of faith and inability to counsel prevents him from helping her. More than anything, Alex wants Father George and Trina to stay in Pie Town, but in inspirational fashion, it is only through his death that he can save everyone. Most strikingly, Sheriff Begay and his ex-wife are reunited at Alex’s death (it was only their heartache over their daughter Angel that drove them apart), love is kindled between a waitress and an old rancher, Father George and Trina return and a church is rebuilt.

Heartfelt, Christian goodwill triumphs in this utterly predictable story.

Pub Date: June 7, 2011

ISBN: 978-0-06-204508-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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