Many of those who look for their real names here will feel they could have written a better book.
There is lots of name-dropping and post-punk heroin hipster cliché in this memoir by a rock journalist who seems to be a legend in his own mind.
More of the self-deprecation suggested by the title would have benefitted the manuscript. Though Spitz has published biographies with titles such as Jagger: Rebel, Rock Star, Rambler, Rogue (2011), he’s mainly familiar as a writer for Spin, where he jumped the sinking ship “in 2006 after nine years and fourteen cover stories.” His account of the Spin years shows panache, as he rose from website blogger to gossip columnist to feature writer—where he developed a friendship and rivalry with the more successful Chuck Klosterman. He describes his first encounter with a reporter for that magazine, who described her beat as “a cool hunter…I spot trends and I write about them,” and then he proceeds to gush that “Spin magazine was, in the late eighties and early nineties, a glorious thing. Running into a real Spin writer was akin to brushing up against a senator or congressman. These were people with real power.” Ultimately, Spitz ascended to what he terms “a privileged view,” interviewing rock artists and attending concerts for free. Beyond the scope of the subtitle, there is plenty about college, heroin addiction, unpublished poetry and novels, unproduced LA screenplays and an email friendship with Courtney Love. An opening disclaimer admits that “certain names and descriptions of individuals have been altered”—which is fine when referring to a generic junkie buddy as “Hazy Jane” but inexplicable in repeated references to a well-known scenester who signed the MC5 and the Stooges and inspired the Ramones’ “Danny Says.”
Many of those who look for their real names here will feel they could have written a better book.Pub Date: Feb. 12, 2013
ISBN: 978-0-306-82174-5
Page Count: 368
Publisher: Da Capo
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
