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BELOW STAIRS

THE CLASSIC KITCHEN MAID'S MEMOIR THAT INSPIRED UPSTAIRS, DOWNSTAIRS AND DOWNTON ABBEY

An irresistible inside account of life “in service” and a fascinating document of a vanished—if fetishistically...

What the kitchen maid saw.

Powell’s account of her time “in service”—employed as a servant in several stately English homes in 1920s England—is a key inspiration for such entertainments as the TV series Upstairs, Downstairs and Downton Abbey, programs that relish in the dynamic between the lordly masters of the house and the earthier workers who toil down below. The author’s voice is instantly compelling, salty and unsentimental about the many difficulties and small satisfactions she encountered as an impoverished young girl and woman struggling to make her way. Sex is much on Powell’s mind, both as a source of wry amusement and a mercenary desire to marry and escape a life of domestic drudgery, and her plainspoken bluntness on the topic is bracing. She is also amusing on the eccentricities of various employers and colleagues, the rigors of working to unreasonable standards and the social structures and mores of both the servant classes and their putative betters. But it’s Powell’s nascent social conscience—an evolving rage at the inequities and institutional humiliation inherent in the English class system—that makes the strongest impression and elevates the memoir from a quaint look back to an affecting portrait of a vital, intelligent young woman struggling to assert herself against a system that would prefer she keep her head down and her mouth shut. It’s to her credit and the reader’s good fortune that she did neither.

An irresistible inside account of life “in service” and a fascinating document of a vanished—if fetishistically longed-for—time and place.

Pub Date: Jan. 3, 2012

ISBN: 978-1-250-00544-1

Page Count: 192

Publisher: St. Martin's

Review Posted Online: Nov. 27, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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