Ambiguities and rawly expressionistic art turn this tale of friendship and temptation from the creators of Rosie and the Tortoise (1999) into a strongly atmospheric psycho-fable. Though permanently grounded by a burnt wing, Magpie discovers that riding atop her friend, one-eyed Dog, as he runs through the bush feels—almost—the same: “ ‘FLY, DOG, FLY! I will be your missing eye, and you will be my wings.’ ” When a fox comes into the picture, offering Magpie more speed, desire overcomes loyalty—but after an exhilarating ride the fox leaves her far out in the desert, saying, “ ‘Now you and Dog will know what it is like to be truly alone.’ ” Brooks hand-lettered the text in large, irregular lines that sometimes change direction, and creates semi-abstract, strongly colored scenes of scored, combed, thickly applied paint. It’s visually striking, but closing with Magpie just beginning to “jiggety-hop” her way back to Dog after hearing an ominous, distant scream, it’s really more of an open-ended discussion starter than a conventionally constructed story. (Australian Children’s Book Council’s Picture Book of the Year) (Picture book. 9-12)
Pub Date: Oct. 1, 2001
ISBN: 1-929132-16-6
Page Count: 40
Publisher: Kane Miller
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)
Pub Date: July 1, 2005
ISBN: 0-689-86683-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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