Twisty and tangled.
A New York City teenager discovers the dark secrets in her mother’s paintings.
Seventeen-year-old Indigo juggles jobs and school, trying to keep things afloat. Her mother, Zoe Serra, found acclaim through Wolfwood, her disturbing and violent series of watercolors. While the works were a gallery and art buyer’s delight, Zoe never completed the series. Circumstances and chronic poor health have made her a “gray pencil-sketch version of herself,” and knowing the impact of motherhood on her mother’s career, Indigo can’t help but blame herself. Motivated by a promised big payout and the possibility of bringing color back to her mother’s life, Indigo enthusiastically supports a fortuitous opportunity to revive the Wolfwood series. But with the deadline approaching and her mother balking, desperate Indigo steps in. Not only is the forgery morally dodgy, it’s dangerous too. As Indigo paints, the world of Wolfwood engulfs her. At first she writes these experiences off as sleep-deprived fever dreams, but when injuries manifest in the waking world, she understands there may be some credence to Zoe’s reluctance. Interspersed between Indigo’s present and her Wolfwood painting episodes are 1980s vignettes unveiling Zoe’s past, most ominously the real-life trauma behind her macabre paintings. First-person narration puts readers inside Indigo’s worries, anxiety, and guilt. Baer’s storytelling is lushly descriptive and suspenseful; teasing details and clues keep the pages turning even as some repetitive moments slow the pace. The Serras are White; there is racial diversity in the supporting cast.
Twisty and tangled. (Fiction. 14-18)Pub Date: March 28, 2023
ISBN: 978-1-4197-3371-0
Page Count: 384
Publisher: Amulet/Abrams
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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