by Marilyn Singer & illustrated by Linda Saport ‧ RELEASE DATE: Sept. 23, 2002
Crows and more crows fill the pages of this collection of poems. As she indicates in an introductory poem, Singer (Boo Hoo, Boo-Boo, p. 579, etc.) attempts to present crows from every possible point of view, including that of the crows themselves. Some humans see the crow as a practical joker, a nuisance; some watch and comment upon their habits. A movie critic comments upon their use as symbols of fear, while an artist and poet see their beauty. Even pigs, dogs, and other birds express their opinion. The crows admire themselves and their talents. Although some of the poems work better than others, most of them read as prose, engaging neither the ear nor the heart. The format is a bit confusing. Each poem appears as part of a two-page spread, with the title sometimes far enough away from the text so it may be overlooked. Not that the titles, such as “The Father,” “The Boy,” and “The Youngster,” are interesting or even helpful, although they do give a clue as to the narrator. Some of the titles are repeated and can represent a human or animal voice. Saport’s (Before You Were Born, p. 893, etc.) vivid pastels, while richly colorful, are mundane depictions of the most basic action of the text. The author’s note at the end of the work is actually more engaging than everything that precedes it because it demonstrates a real love and understanding of the birds. An illustrated nonfiction account of crows and their habits might have been much more successful—see Pringle, above. (Poetry. 7-9)
Pub Date: Sept. 23, 2002
ISBN: 0-618-08340-5
Page Count: 46
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Henry Winkler ; Lin Oliver ; illustrated by Scott Garrett ‧ RELEASE DATE: Feb. 14, 2014
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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