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WHAT ARE WE DOING HERE?

ESSAYS

Sharp, elegant cultural analysis.

Winner of the Pulitzer Prize and the National Book Critics Circle Award for her novels, Robinson (The Givenness of Things: Essays, 2015, etc.) gathers trenchant essays about faith, values, and history, most delivered as lectures at religious institutions and universities from 2015 to 2017.

Speaking at the University of Virginia, the author told her audience that she discovered, in an article on the internet, a description of herself as personifying “unhipness,” a quality that she cheerfully embraces. “I am in my seventies, I was born in Idaho, I live in Iowa, I teach in a public university, and I am a self-professed Calvinist,” she admits. Her unhipness, though, was given as a warning that readers “will find thinking that is very unlike their own.” This fear of contradictory ideas Robinson finds deeply disturbing: history is filled with “erasures and omissions,” she asserts, which skew our understanding of our shared heritage. In several essays, for example, she points to mistaken beliefs about capitalism, American exceptionalism, slavery, and the Puritans. “The convention,” she writes, “is that Puritan culture was stunted intellectually, emotionally, and morally by the religious tradition that also founded Harvard and, of course, Yale, to name only local examples of their remarkable institution-building and their devotion to learning.” In an essay about freedom of conscience, Robinson characterizes “Early American historiography” as “a toxic compound of cynicism and cliché, so false that it falsifies by implication the history of the Western world.” She blames nostalgia for the conviction that America “must once have had the authenticity and fellow feeling supposedly to be derived from a common stock,” emphasizing the ethnic and religious diversity that flourished since Colonial times. Robinson is at her most lyrical when writing about Barack Obama, whom she much admires and believes to have been the ideal president for 21st-century America: “dignified, gracious, competent, and humane,” showing endurance “more than heroic.” The author also writes with rueful anger about the vicious slander that her mother saw on Fox News.

Sharp, elegant cultural analysis.

Pub Date: Feb. 20, 2018

ISBN: 978-0-374-28221-9

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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THREE WOMEN

Dramatic, immersive, and wanting—much like desire itself.

Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 19, 2019

Kirkus Reviews Issue: June 15, 2019

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