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WHY CALORIES COUNT

FROM SCIENCE TO POLITICS

A strong, rigorous overview of the calorie, its regulation and the politics behind food labeling and marketing.

Nestle (Nutrition, Food Studies, and Public Health/New York Univ.; Pet Food Politics, 2008, etc.) and Nesheim (Nutritional Sciences, Emeritus/Cornell Univ.; co-author, with Nestle: Feed Your Pet Right, 2010, etc.) explore “calories in all their dimensions—personal, scientific, and political.”

Calories are abstract—“they cannot be seen, smelled, or tasted, and their biological functions are difficult for most people to grasp.” In the early chapters, the authors discuss the discovery of calories and their measurement, but these sections feel like a slog through the basement of an old natural-history museum. The remaining chapters read better, especially when the authors step away from their data-rich analysis and voice their concerns. Nestle and Nesheim devote several chapters to the physiological and political implications of inadequate calories, then introduce obesity and factors that conspire to prevent us from losing or maintaining weight. The human body does a great job of ensuring that it gets enough calories “but it is much less effective at knowing when calories are in excess.” The messages we receive about food often overpower our biophysical mechanisms to limit eating. In the final section, the authors examine the politics of calories. They argue that inadvertent responses to greater food production and competition in the food industry strongly promote the overconsumption of calories, including changes that “encourage eating in more places at more times of day in larger portions.” They also argue that the cause of today’s obesity trend is not less physical activity, as exercise rates have stayed the same since 1980.

A strong, rigorous overview of the calorie, its regulation and the politics behind food labeling and marketing.

Pub Date: April 1, 2012

ISBN: 978-0-520-26288-1

Page Count: 304

Publisher: Univ. of California

Review Posted Online: Jan. 8, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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