Durable characters, set in a new but familiar frame.
Two American folk heroes join forces in the name of democracy.
Cecil’s sprightly debut is an adventure tale set around the late 1800s, but it retools the Paul Bunyan and John Henry myths with an eye on today’s postcapitalist hellscape. Bunyan is a stout laborer in a polluted company town mining a fuel called Lump; when his wife, Lucette, is poisoned by Lump runoff, he’s compelled to head to “the Windy City” and appeal to the company CEO, the cartoonish (and nakedly Trumpish) industrialist El Boffo, who’s using Lump to develop an all-healing device. But access to El Boffo requires that the gentle giant defeat all comers in a boxing ring. He battles his final adversary, steel-driver John Henry, to a draw; realizing they’re better off working together, they scheme to find a cure for Lucette and a way to bring Henry’s family to Canada and escape slave catchers. They have the assistance of a folk creature’s vague advice and a literal guiding light called the Gleam that will deliver the pair to the title’s “Beautiful Destiny.” Cecil has plainly inhaled not just the details of the Bunyan and Henry myths but the hyperbolic rhetoric of adventure tales; the novel is rife with cliffhanger chapter endings and feats of derring-do. That makes it a likable page-turner, but also a predictable one. The story is peppered with platitudes about capitalism (“Nothing lives in America unless it turns a profit, and nothing dies as long as it does”), and El Boffo’s character is so nakedly villainous that his machinations (and fate) become uninteresting. The idea of using two idealized American folk characters to show how short the country has fallen is an inspired one with lots of potential, but here it’s mostly serving a binary good-versus-evil melodrama.
Durable characters, set in a new but familiar frame.Pub Date: March 26, 2024
ISBN: 9780593471166
Page Count: 352
Publisher: Pantheon
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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