Rated NC-17 for intermittent comic violence, good-natured swearing, cannibalism, humorous amorality and some truly perverse...
Carl Hiaasen, meet Hannibal Lecter.
Caterers to a movie shoot are covered by the Teamsters Union’s lucrative contract conditions, and Las Vegas production caterer Big Jack Lucey doesn’t see why island caterer Sid Tanumafili and his family should have a monopoly on everything shot in Hawaii. But Sid, his son Wilson and his nephew Joseph like the current arrangement just fine. So when a unit producer brings Jack with him to cater the pilot for a hoped-for TV series, Sid declares war on the invaders. The mainlanders are hobbled by a couple of handicaps that won’t surprise fans of Moist (2002): Francis, the producer, is mourning his breakup with Chad, a big-shot producer with the morals of a gay lifeguard, and Big Jack has recently suffered a stroke that’s left him partly paralyzed and with a bad case of technologically induced priapism. While Jack is getting the local Teamster leaders to sign on the dotted line, Yuki Sugimoto, Francis’s New Age production assistant, is reinventing herself as an androgynous sexpot on the advice of Lono, the local pimp she falls for. Unable to concentrate for long on anything but his sempiternal erection, Jack hires an ex-Marine hit man to settle his labor problems, but unexpected complications with the payoff force him to an even more sanguinary Plan B. As the entire cast caroms from one lighthearted set piece to the next with all the speed and depth of pinballs, an unidentified pair of them is unwittingly headed for a future in the Tanumafili barbecue pit, and the rest headed nowhere in particular. The effect is fast, funny and sometimes winsome, but consistently lightweight, the characters’ bizarre actions fueled by nothing more than their unquenchable appetite for sex, liquor, drugs or the next plot twist.
Rated NC-17 for intermittent comic violence, good-natured swearing, cannibalism, humorous amorality and some truly perverse sex.Pub Date: April 1, 2005
ISBN: 0-87113-884-0
Page Count: 336
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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