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ELMER McCURDY

THE MISADVENTURES IN LIFE AND AFTERLIFE OF AN AMERICAN OUTLAW

With frequent imaginings and surmises, Svenvold conducts a literary séance, using hints and clues to conjure the spirit of...

Like Elvis, Elmer McCurdy pursued a lively theatrical career long after he died. A feckless western outlaw who was killed in 1911, he was finally interred in a Boot Hill grave 66 years later. His story, still a cult cowboy saga, is told anew by Svenvold (Soul Data, 1998), a poet turned earnest reporter.

The fabled highwayman—his name, without reason, is sometimes linked with Butch, Sundance, the Daltons and the James boys—was an inept train robber, spectacularly unsuccessful in his few bumbling forays against decent folk. From his native Maine, the young man went west in search of somebody’s fortune. In the Army there, he almost learned the rudiments of demolition. After discharge from Ft. Leavenworth, discovered in St. Joe lugging burglar’s tools, he was jailed briefly. He held up a train thought to be carrying abundant cash, though it yielded little more than a few bottles of rot-gut. McCurdy, 31, was soon killed by a posse. That’s just the start of his story. Dead, he entered showbiz. The undertaker kept his body for display, and the mummified remains eventually toured the country in sideshows. In time, employed by entertainment’s bottom-feeders, the mummy went to Hollywood to appear in exploitation flicks. Finally, he—or it—was discovered in a defunct amusement park, painted in Day-Glo and falling apart. Even now, his grave is visited by ballyhoo. The story has been told before, but Svenvold brings a poet’s touch to the western mythopoeia. Some of his topics are barely relevant, like a sketch of Douglas MacArthur; others are more germane, like a medical examiner’s work or the carney world.

With frequent imaginings and surmises, Svenvold conducts a literary séance, using hints and clues to conjure the spirit of McCurdy. Doing so, he presents a decidedly entertaining chunk of American pop culture. R.I.P., Elmer McCurdy.

Pub Date: Nov. 1, 2002

ISBN: 0-465-08348-X

Page Count: 336

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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