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THE SHE-HULK DIARIES

Unassuming yet powerhouse attorney Jennifer Walters and her secret alter ego, the publicity-loving She-Hulk, must learn to coexist and balance their physical and intellectual skills while fighting crime and injustice in the courtroom and on the streets, and possibly reclaiming the love of Jennifer’s life.

On the first day of the year, Jennifer prepares a list of Valentine’s Day Resolutions (New Year’s Resolutions being too cliché and statistically difficult) in order to conquer the fact that she has no job, no home and is persona non grata within her Avengers community, thanks to raucous She-Hulk. As a world-class attorney, she finds a job pretty quickly, taking on an inventor who’s allegedly created a faulty product that is killing people. Unfortunately, the senior partner of her new firm is the father of Ellis, the man Jennifer hooked up with years ago and has never forgotten; and the man accused of unleashing the faulty product is Ellis’ best friend. If that isn’t enough, Jennifer is supposed to submit to counseling when it’s She-Hulk who has the problem, and who has time for that when she’s litigating a high-profile case with her brand new job? Oh, and one of the attorneys she’s supposed to be working with is Ellis’ cold witch of a fiancee. Publisher Hyperion is staking a claim on a comic book–romance crossover market with popular Marvel characters, and She-Hulk (along with X-Men’s Rogue) is their first attempt to capture a comic-book sensibility in fiction form with a major romantic arc. Acosta has created an interesting and intriguing character study of the seemingly mismatched Jennifer and She-Hulk and has introduced a powerful past-love romantic storyline that somehow makes sense for both sides of the personality equation. It’s not clear how close to traditional canon the characters are and, therefore, how the purists of the comic-book universe will feel, but despite a few annoyances in the storyline (e.g. why would you not make a second call to the man you’re madly in love with?), it’s an engaging success.

A fun, escapist romantic romp with superheroes—who can resist?

Pub Date: June 18, 2013

ISBN: 978-1-4013-1101-8

Page Count: 336

Publisher: Hyperion

Review Posted Online: May 13, 2013

Kirkus Reviews Issue: June 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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