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LAND MARKS

An impassioned story of anti-fracking activism.

An environmentally minded professor revisits her activist past in Lesert’s novel.

When university professor Rebecca Walton happens to recognize former student Sonya’s image as it flashes across the screen during a nighttime news report, she recalls the events of the previous two years when she, Sonya, and three other students took part in an anti-fracking environmental movement. The four students were among the few who signed up for her new Eco-Literature class in 2012; the newly designed course was shaped by their interests, which eventually led them to take their research into the field and engage in activism. Walton was formerly known as activist “Elizabeth Stone, a rescue climber and writer inside of actions.” This secret was kept from her students for their protection, but when Walton returns to her old activist ways due to her concern for Sonya, the truth becomes known to them when another secret rooted in Rebecca’s past is eventually uncovered. As the narrative alternates between the present day and various periods in the past, the order in which some information is presented or omitted (such as who the “Four Branches” were, why Walton went by “Elizabeth Stone,” and the depth of her relationship with David, a fellow activist) will disorient readers. The blow-by-blow account of the group’s activism could use some tailoring to focus on key moments that would move the story in a dynamic way. For those unfamiliar with fracking, the author doesn’t provide enough background information to bring them up to speed, instead jumping right into using insider terminology in passages describing the process and many more detailing the harm it causes. But the writing shines when Lesert writes about the environment using poetic imagery that’s reverential of the land, “inextricably intertwined with the wildlife and the people who roamed it.”

An impassioned story of anti-fracking activism.

Pub Date: April 16, 2024

ISBN: 9781647426460

Page Count: 288

Publisher: She Writes Press

Review Posted Online: Jan. 19, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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