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THE OTHER SHOE

Name: THE OTHER SHOE
Author: Matt Pavelich
ISBN: 978-1-58243-795-8

by Matt Pavelich ‧ RELEASE DATE: March 1, 2012

The powerful concluding scenes race like thunderstorms across the Rockies in this arresting work.

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On an isolated slope in Montana’s Rocky Mountains, at a place called Fitchet Creek, Calvin Teague lies dead.

Calvin is dead, but he wasn’t murdered. Pavelich’s (Our Savage, 2004) novel isn’t a mystery. It’s a literary study of the lives of outliers, a story of love, of sacrifice, of a man with a sense of responsibility as clear as the mountain air. Calvin’s car quit near the hamlet of Red Plain. No money for repairs, he’d set out afoot westward. But Calvin was inept in the wilderness, nearly drowned in a river, only to be discovered stumbling along a highway by Karen Brusett, a young woman near his age. Karen’s husband is Henry Brusett, a solitary man who found his worth in the hard, honest work of harvesting timber, work that stranded him in middle-age, fractured in body and personality. Addicted to pain pills and solitude, Henry cares platonically, guiltily, for Karen, not half his age, needing only “the favor of seeing her… of attending so closely to her existence as to know her shifting essence.” Karen, raised in an atmosphere of neglect and piety, latched onto Henry because he alone saw her as a person of value, of potential. Pavelich masterfully gives characters life: naive Calvin, dead out of misdirected desire; the damaged and mismatched Brusetts, wanting only the peace of their mountaintop Eden; Hoot Meyers, county attorney; and Giselle Meany, public defender and perplexed single mother whose dedication overrides ambition. After Calvin is found dead, Henry is arrested. The second half of the narrative chronicles his incarceration and Karen’s reaction. Marred only by one unresolved narrative thread, Pavelich's novel is an accomplished and affecting story of love and loyalty, accountability and honor.

The powerful concluding scenes race like thunderstorms across the Rockies in this arresting work.

Pub Date: March 1, 2012

ISBN: 978-1-58243-795-8

Page Count: 334

Publisher: Counterpoint

Review Posted Online: April 4, 2012

Kirkus Reviews Issue: April 15, 2012

Categories:

LITERARY FICTION

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ANIMAL FARM

A FAIRY STORY

by George Orwell ‧ RELEASE DATE: Aug. 26, 1946

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Categories:

LITERARY FICTION

- BOOK REVIEW
GEORGE ORWELL
by George Orwell ; edited by Peter Davison

- BOOK REVIEW
DIARIES
by George Orwell & edited by Peter Davison

- BOOK REVIEW
ALL ART IS PROPAGANDA
by George Orwell

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.