by Matt Taylor ‧ RELEASE DATE: Sept. 29, 2011
Taylor has taken his love for a specific film and turned it into something greater—a beautiful compendium of not just...
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Loaded with archival material, Taylor’s coffee table book captures the impact a major Hollywood production can have on the area in which it was filmed, as well as the people who live there.
There have been dozens of books about the making of Steven Spielberg’s wildly influential 1975 film Jaws, but never before has the production been so exhaustedly chronicled from the viewpoint of the outsiders—the men and women of Martha’s Vineyard whose lives were turned upside-down by the making of the movie. It’s shocking that this many black-and-white photographs of the filmmaking process were even taken during the much-chronicled production, let alone that Taylor and his team were able to track them all down and, most importantly, provide context and continuity to link them into a gorgeously produced coffee table book; much more than a mere series of pretty stills, Taylor’s work ambitiously offers what amounts to a nearly scene-by-scene accounting of the making of one of history’s most-beloved films. The volume is so impressive that Spielberg himself penned the foreword, in which he seems truly grateful for the anecdotal history provided by Taylor. Divided into six chapters that cover events from the pre-production in the winter of 1973 to the film’s release on June 20th, 1975, the book intercuts archival material, such as newspaper clippings from the era and hundreds of never-before-seen photos taken by local bystanders, with interviews from both sides of the production—the locals and the filmmakers. The result is a remarkable collection of viewpoints that chronicles how a film can impact a locale, from the men and women cast as extras to the mailman derailed by street closures. It’s a wonderfully diverse array of interview subjects, not merely focusing on the people credited at the end of the film.
Taylor has taken his love for a specific film and turned it into something greater—a beautiful compendium of not just memorabilia, but commentary on the importance of community in the art of filmmaking.Pub Date: Sept. 29, 2011
ISBN: 978-0983350200
Page Count: 296
Publisher: Moonrise Media
Review Posted Online: Sept. 6, 2011
Kirkus Reviews Issue: Oct. 1, 2011
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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