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MARILYN’S LAST WORDS

HER SECRET TAPES AND MYSTERIOUS DEATH

Enough already.

Slapdash account that adds a few grains of new information to the Monroe file with transcripts of tapes the actress made for her psychiatrist.

Boasting the dubious distinction of participation in both the Monroe and the Kennedy industries (The Men Who Murdered Marilyn, 1997; Vendetta: The Kennedys, 1993, etc.), Smith obviously has no problem with beating a dead horse. The tape transcripts run for just a few pages and reveal little of significance, and before even turning to those monologues the author devotes half his narrative to rehashing the details of Monroe’s death. Agatha Christie herself would have been challenged to connect the dots of the evidence at the scene. Jars of pills by the bedside first stood empty, then filled. The bedroom first looked neat and orderly, then chaotic, with papers strewn about. A washing machine hummed in the background—someone washing away evidence, perhaps? Smith does not believe her psychiatrist and the Kennedys killed Monroe, as others have claimed. Instead, he suggests the culprits were CIA operatives eager to topple a political dynasty by setting up the star’s death as a Kennedy plot. The idea seems plausible, though Smith builds his thesis on a stack of ifs, maybes, and might-have-beens. As for Monroe’s tapes, they cover such unedifying topics as taking enemas and having sex with Joan Crawford, plus a few predictable comments about working with Laurence Olivier (“a great, great actor”) and the peculiar remark—perhaps Monroe was just being funny—that the Bible is “a good script.” The repetitious, disorganized text contains glaring factual errors (Garson Kanin, not George Cukor, directed My Favorite Wife; Judy Garland was a young teen in the 1930s, not the 1950s) and enough grammatical howlers to give an English teacher a migraine.

Enough already.

Pub Date: Aug. 1, 2004

ISBN: 0-7867-1380-1

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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