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THE END OF SAN FRANCISCO

A blisteringly honest portrait of a young, fast and greatly misunderstood life.

An outspoken, gender-ambiguous author and activist reflects on her halcyon days as a wild child in San Francisco.

The powerful opening chapter of Sycamore’s (So Many Ways to Sleep Badly, 2008, etc.) deeply personal portrait finds the author (then “Matthew”) alternately sobbing at her father’s deathbed and demanding acknowledgment of the sexual abuse he’d visited upon his only son. It’s a raw, sobering scene that sets the tone for this introspective chronicle charting Sycamore’s zany gay youth zipping from one coast to the other in the heady 1990s. Sartorially eccentric with pink dyed hair, the author spent her restless youth commanding a “secret world” drugging and dancing in gay nightclubs and then cruising for men online and in sex clubs from San Francisco to Boston to New York City. She writes of becoming gleefully seduced by the gender fluidity of San Francisco’s house music–powered club scene circa 1992 and participation in AIDS activism with ACT-UP. Her efforts to create a San Francisco counterculture with political activist movement Gay Shame only reiterated how much she’d outgrown the Bay Area. There are moments when Sycamore’s youth captivates with unapologetic, stream-of-consciousness tangents about bygone club life or street hustling, while in other spots, she is poetic and tender, as in describing her own exasperation with gay attraction, wishing sexual desire would “become something else like lying in the grass and holding the sky.” Delivered in a free-form, associative writing style, Sycamore’s effort to exorcise the demons from her past is blunt, dynamic and original.

A blisteringly honest portrait of a young, fast and greatly misunderstood life.

Pub Date: April 15, 2013

ISBN: 978-0-87286-572-3

Page Count: 200

Publisher: City Lights

Review Posted Online: Feb. 20, 2013

Kirkus Reviews Issue: March 15, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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