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THE ONLY GIRL IN THE WORLD

A MEMOIR

A startling testament of survival.

A disturbing, engrossing memoir of a bizarre, highly abusive childhood.

Psychotherapist Julien makes her literary debut with a gripping chronicle of growing up imprisoned and tormented by her parents. Isolated on a walled estate not far from Dunkirk, Julien was raised to become a “superior being,” destined to “control the weak-minded and bring about the great regeneration of the universe.” Her father, a paranoid, narcissistic conspiracy theorist, “a Grand Master of Freemasonry and a great knight of a secret order,” had adopted and then married Julien’s mother, who assisted in the demanding, cruel regimen that he designed to shape their daughter’s body and mind. They locked her in a dank, rat-infested cellar, forbidding her to move (her mother sewed bells in her sweater to monitor disobedience). They also attempted to quash any signs of love or compassion; Julien had to cage her gentle dog every day, and when her beloved horse died, they made her dig a hole to bury it. Her father bought the horse not as a pet for Julien but to make sure she learned to ride: “just like swimming, riding will be very useful if I need to escape” persecution and also “to be able to get a job with a circus in case I have to hide or go undercover at some point.” They forced her to bathe in their own dirty bathwater: “an honor,” her father said, that “allows you to benefit from my energies when they enter your body.” They refused to summon a doctor when she was ill, and they ignored her being sexually abused by their lecherous handyman. Finally, when Julien was an adolescent, a kind, observant music teacher assessed the situation and contrived to give her lessons at his own studio; he soon hired her to work for him part-time and introduced her to a young man who married her. Although she escaped physically, Julien admits, “being outside wasn’t enough to make me free.” Years of therapy led her to become a therapist herself.

A startling testament of survival.

Pub Date: Dec. 12, 2017

ISBN: 978-0-316-46662-2

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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