Hard-case crimes with the bonus of a few surprising zingers.
Hard Case Crime completes its cycle of Collins’ novels about not-quite-reformed thief Nolan with his first appearance and one of his last.
In Spree, the later, longer, and more polished of the pair, Nolan’s live-in lover, Sherry, is kidnapped to pressure him into masterminding a grandly scaled robbery of the most tempting targets among the 50 stores in Missouri’s Brady Eighty mall. Coleman Comfort, the paterfamilias behind the scheme, already has a grudge against Nolan for killing his brother Sam and Sam’s two sons in an earlier plot that went violently off the rails, and it seems obvious that as soon as the heist is history, he plans to kill Sherry and Nolan anyway. In fact, his homicidal plans are even more extensive than that, though not if Nolan and his frequent accomplice Jon Ross have anything to say about it. Mourn the Living, the first story Collins wrote about Nolan, though not the first he published, is an informal homage to Richard Stark’s adventures of one-named criminal Parker. Owing a big favor to mobbed-up pencil pusher Sid Tisor, Nolan reluctantly agrees to look into the death of Tisor’s daughter, Irene, a Chelsey University student who fell 10 stories to her death, even though it’s going to bring him uncomfortably close to Chicago’s Franco crime family, who’ve already put a $250,000 bounty on his head for his past misdeeds against them. Was Irene high on LSD? Was she actually pushed? What details have been covered up by Chelsey cop Phil Saunders, who’s the cousin of incompetent gang boss George Franco’s financial secretary Irwin Elliot, the real power behind Chelsey’s thriving drug industry?
Hard-case crimes with the bonus of a few surprising zingers.Pub Date: April 18, 2023
ISBN: 9781789091465
Page Count: 416
Publisher: Hard Case Crime
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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