by Max Byrd ‧ RELEASE DATE: March 1, 1997
In some ways a sequel to his well-researched Jefferson (1993), Byrd's latest is a superior novel to that earlier effort—lusty and lively in its view of the American political scene, circa 1828, yet also keenly aware of the underlying issues gripping the nation as it expanded westward. As Andrew Jackson squares off against incumbent President John Quincy Adams, having won the popular vote but lost the electoral vote in 1824, the split between eastern elitism and western democracy seems more pronounced than ever. David Chase, a young expatriate writer, has been lured from Paris to Boston with a tempting commission to do an ``honest'' biography of Jackson, although the anti-Jackson sentiments of his patron are no secret. Chase visits Washington to seek sources for his book and to meet Hogwood, his predecessor, whose infirmity has cost him the project Chase now pursues. Sucked into the whirl of life in the capital, befriended by the president's dissolute son Charles, smitten with Hogwood's lovely daughter Emma, Chase can't seem to put pen to paper before his patron comes to town and puts him on the stage to Nashville: Jackson country. There, he meets Old Hickory, whose right-hand man allows him to become part of Jackson's entourage, until a long-kept secret about certain youthful, adulterous indiscretions by the candidate's wife threatens to come to the surface. Since the indiscretions involve the brother of Chase's patron, the writer instantly becomes persona non grata; but, left to his own devices, he tracks down the letters that will undo Jackson—and then has to make the painful decision about whether to use them. Jackson proves less a figure than a figurehead here, while fictional characters are given the run of the story, which may disappoint historical purists. But the zeitgeist is embodied to perfection, and the result is a truly, and substantially, entertaining tale.
Pub Date: March 1, 1997
ISBN: 0-553-09632-X
Page Count: 421
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
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by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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