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ASTRO TURF

THE PRIVATE LIFE OF ROCKET SCIENCE

Certainly of interest to aerospace fans, Cold War buffs, and conspiracy theorists, but possibly also right for the...

The daughter of an aerospace engineer tells occasionally scandalous personal stories about the geniuses who engineered the space race, while coming to terms with her father’s detachment from her life.

Lord’s jauntily feminist perspective, also evident in Forever Barbie (1995), sets this effort apart from the Right Stuff pack of more mainstream books about the rocket men. “The buzz-cut cowboys of Mission Control, homogeneous as a Rockette kick-line, were a cold-war fiction,” she writes in the introduction. She may include two chapters on “gender parity,” but Lord’s estrogen-friendly perspective doesn’t define the book so much as distinguish it. Though she aims to drive the narrative with her quest to tease out the factors behind her father’s de facto absence from his home life, that remains a side-plot. Her pop-psychology, gender-role analysis has the most impact in her indictment of the system and the environment that drove these men to behave as they did. Lord draws the expected links from Nazism to the postwar space race and supplies “recently declassified” information to add new fuel to the fire. In her indictment of the red-scare politics that publicly rehabilitated war criminals while ruining the careers of innocent engineers, she implicates the usual suspects (Joseph McCarthy, J. Edgar Hoover, LBJ) and digs up a few new bogeymen (Ike, Phyllis Schlafly, Walt Disney) with allegations and conclusions that are well sourced, if not exhaustively fleshed-out. She aims to entertain as much as to educate, but Lord fails to weave a narrative thread compelling enough to escape the gravity of the cold technical details. The text sometimes reads like a glib hybrid of science history and tabloid gossip. In the end, however, Lord’s snappy prose and studied perspective save the project, especially when she links particular scientists to autism, the European art scene, or occult sex rituals.

Certainly of interest to aerospace fans, Cold War buffs, and conspiracy theorists, but possibly also right for the iconoclastic bookish young woman.

Pub Date: Jan. 1, 2005

ISBN: 0-8027-1427-7

Page Count: 272

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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