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THE GARDEN OF MARTYRS

Writing with a good feel for the period, White (Marked Man, 2000, etc.) manages to get the history right and keep the...

A historical thriller about two real-life Irish Catholics who were arrested for a brutal murder in early 19th-century Boston.

The great flood of Irish immigration has barely begun in 1805, but New England is a seedbed of nativist resentment all the same. Staunchly Protestant and overwhelmingly xenophobic, the Yankees of the new republic fear foreigners and hate Catholics—especially when the two are one. For French priest Jean Cheverus, the newcomers are both a challenge and a promise as he works among them to build a Catholic society in the New World, but to most Bostonians the Irish are a plague of locusts intent on despoiling their paradise. When a peaceable farmer is murdered in broad daylight on the Post Road in November 1805 and two Irishmen are charged with the crime, these fears seem justified. Dominic Daley and James Halligan are found near the scene with their pockets full of the dead man’s money and are identified by an eyewitness who saw them with the victim that very day. It looks like a good case for the prosecution, and the truth is that even a poor one would probably get an Irish Catholic hanged. Daley’s devout wife and parents, however, refuse to believe the charge, and they ask Father Cheverus to intervene with the governor. Cheverus, who lived through the French Revolution and fears a new persecution in Boston, wants to keep the Church neutral, but he also feels obliged to help members of his flock. Daley and Halligan, for their part, swear that they are innocent and claim they found the money in a field. Their lawyer is given only three days to prepare their case. Don’t expect a replay of the Amistad trial here.

Writing with a good feel for the period, White (Marked Man, 2000, etc.) manages to get the history right and keep the narrative taut at the same time.

Pub Date: May 1, 2004

ISBN: 0-312-32208-9

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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