adapted by Michael Hague & illustrated by Matt Tavares ‧ RELEASE DATE: Oct. 1, 2006
Nesbit’s wry 1908 telling casts Jack as a dreamy lad more adept at composing poems about “the Dignity of Labor” than engaging in it. She enlivens the familiar plot with chatty speculation, nimble description and a tidy resolution. The giant’s realm is a desolate landscape of withered trees and streams gone dry. A fairy defines Jack’s quest, revealing that Jack’s unknown father, ruler of that very land, had been killed by the giant, who imprisoned his subjects in the trees. The fairy confirms that Jack’s mission is “the one particular dream” that he heretofore “never could quite dream.” Jack’s thievery of the golden egg-laying hen, money bags and magic harp, laid out as a righteous corrective to the giant’s usurpation, is ably facilitated by the giant’s wife, “whose only fault was that she was too ready to trust boys.” Tavares’s handsome pencil-and-watercolor pictures deliver a satisfyingly scary giant, his shirt bloodstained, his comb-over topped with the stolen, too-small crown, his house strewn with the skulls of victims. No source notes, but thoroughly satisfying nonetheless. (Picture book/folktale. 5-8)
Pub Date: Oct. 1, 2006
ISBN: 0-7636-2124-2
Page Count: 48
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2006
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retold by Allison Grace MacDonald ; illustrated by Michael Hague
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by Jane Taylor & illustrated by Michael Hague developed by Flying Word, Inc.
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
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by Amy Krouse Rosenthal ; illustrated by Mike Yamada
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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More by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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