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GREEN MONDAY

A much-better-than-average contender in the what-if genre; a must for market-watchers with a weakness for fanciful fiction.

The "Kingdom" (read Saudi Arabia) unilaterally cuts crude oil prices to $10 per barrel, not only touching off a stock market boom (Green Monday) and revivifying an enervated dollar but also affecting the tenancy of the White House.

That's the scenario in this plausibly plotted future-finance entertainment with an upwardly mobile hero--David Harrison, a Manhattan-based consultant funneling billions of petrodollars into domestic securities markets on behalf of The Kingdom's power elite (they double their money in the wake of the dramatic price announcement). Harrison engineers his financial coup through the resourceful use of a master computer program that controls hundreds of blind trust accounts. And his partner in crime--and love--is Devon Lynde, a money-managing lady with a past (Weatherman membership) who has been recruited by the Islamic underground. Meanwhile The Kingdom's shadowy OPEC Minister and his henchmen orchestrate a scenario in which the born-again president of the U.S., up for reelection, would be replaced in office by a former CIA director whose sympathies are more in accord with Mideastern aspirations. Thomas makes this double-cross game just clever enough; and his amiably amoral account of goings-on in the boardrooms and boudoirs of petropower sneer with conviction––from the offhandedly vulgar metaphors of Houston's independent oil drillers to expletive deleted converse in the Oval Office.

A much-better-than-average contender in the what-if genre; a must for market-watchers with a weakness for fanciful fiction.

Pub Date: June 6, 1980

ISBN: 978-0-671-61002-9

Page Count: 413

Publisher: Simon & Schuster

Review Posted Online: Aug. 15, 2021

Kirkus Reviews Issue: June 1, 1980

Categories:
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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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