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HARD COUNTRY

A well-rendered neoclassic tale of the Old West, worthy of a place alongside Lonesome Dove and Sea of Grass.

Satisfying oater of the old-fashioned—or at least McMurtryesque—school.

Nobody ever said that taming the Wild West would be easy. But must it involve rattlesnakes dropping down from the ceiling to share the evening meal? It must if you’re hard-bitten John Kerney, who just can’t catch a break, even if he can read. His life out on the dusty plains of West Texas is punctuated by his wife’s death in childbirth, his brother’s murder and too damn many bullets. Enter a helpful stranger who, though he violates the code of taciturnity—“In the brush country of southwest Texas, a man’s past was considered his own business, unless he was otherwise inclined to talk about it”—becomes a protector of sorts for Kerney and the son he has had to leave behind. So, too, is another rawhide-tough buckaroo, Cal Doran, who takes no guff himself. Alas, John is not with the narrative for long before other obligations come due, but his son more than takes his place in a narrative that soon becomes very busy, crowded with real-world characters from late 19th-century New Mexico, among them Pat Garrett (the lawman who gunned down Billy the Kid) and Oliver Lee (the rancher “on the east side of the Tularosa” who may or may not have gunned down a neighbor in a feud that still reverberates). There’s plenty of period detail in this western by mystery novelist McGarrity (Tularosa, 1996, etc.). There’s appropriate language to boot; as a wizened old rancher reflects, for instance, “A waddie looking for work on foot wasn’t typical, and the saddle sure didn’t show much pride.” Yet there’s no anachronism one way or another, not too much Walter Brennan-ish gibberish or too many false concessions to modernity. 

A well-rendered neoclassic tale of the Old West, worthy of a place alongside Lonesome Dove and Sea of Grass.

Pub Date: May 10, 2012

ISBN: 978-0-525-95246-6

Page Count: 624

Publisher: Dutton

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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